THE STORY OF THE STONE OF KING SIALLAGAN'S TRIAL CHAIR AS AN IDEA FOR THE CREATION OF A PAINTING ART

Abstract

The story of the Stone Court of King Siallagan, located in Huta Siallagan, Samosir, is one of the Batak cultural heritages rich in historical and customary law values. This study aims to explore the narrative as a source of inspiration for painting creation, while also serving as an effort to preserve local culture through visual media. A descriptive qualitative method was applied, following four phases of the creative process: preparation, elaboration, contemplation, and realization. These stages include data collection, concept development, exploration of artistic techniques, and execution of paintings. From the twelve paintings produced, three were selected for in-depth visual and thematic analysis. The artworks depict symbolic elements and customary narratives such as traditional trials, punishment, and moral values of Batak society. Techniques such as chiaroscuro for dramatic lighting. The results show that painting can be an effective medium to introduce and preserve cultural values, while also contributing to cultural tourism development.